Too much gain or level can cause excessive hiss or hum, handling noise, weird EQ, and compression, and it can actually make your sounds seem smaller. I like to use a White Elk by Wren and Cuff, which is a really cool version of a weird Big Muff clone that existed back in the day. Made-Man. The list of variables goes on and on. Your purchases also help protect forests, including trees traditionally used to make instruments. 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. I'll probably do Katana, TS, Timmy, Klon. A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. It has a lot of good reverbs: big and ambient or spring. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Klon Centaur Guitar Distortion & Overdrive Pedals, Fulltone Guitar Distortion & Overdrive Pedals, some people like to stack them though. i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. Virginia. The GT-500 is a great two-in-one, and like my Double Barrel or some of these others, you have an order toggle so you can choose which side comes first. By If it sounds better at a lower-gain setting, treat it like a lower-gain pedal. Ask a Luthier: What Do You Wish More Guitarists Knew About Their Instruments? If you have any questions about drive stacking or pedals, give your Sweetwater Sales Engineer a call at (800) 222-4700. Stacking overdrive/gain/boost/distortion/fuzz pedals can accomplish a variety of goals. Ray20July 16, 2006 in Effects and Processors, I was told buy someone who has both that the timmy sounds just like the klon, but has more versatile tone controls. When I stack, I don't like to stack the same pedal- too much of the same frequencies. The trick, though, is to make it work well. You may already own something that does this, so don't feel the need to run out and buy something new. Classic gear: Paul Cochrane Timmy | Guitar World Lol. Besides the obvious bump in volume, many boost pedals like the ZVex Super Hard-On round out dull tones by adding a sparkling sheen to the top end. Cookie Notice To Fit. To learn more about our cookie policy, please visit our Privacy Policy. You are using an out of date browser. Both the pedals I used in the demo have tap tempo, which I feel is necessary because it lets me chain these together. I mostly use the amps in church, at home I'm using an Ac4tv. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. Does the low end shift noticeably? Actually there are TWO of us saying that they are similar in sound. I can't say enough about it. Original Blues Breakers, while not super expensive, still hover in the 250-dollar range (a bit much if you ask me). Even in the simplest rigs, there are a lot of considerations. Also, get a Klon and try it as a heavy overdrive. What I want to go over is the sound of a Big Muff, and the process of putting that into a Tube Screamer. Working the gain knobs of both pedals can get you into some pretty glorious overdrive, especially through a good tube amp (even moreso if it's set on the edge of breakup). Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . When I tested this out at the studio, I used the Walrus ARP-87 and my Panther Cub. Please check the fields highlighted in red. This is a shredding machine. EVH Eddie Van Halen USA $3,298 | Musical Instruments | Los Angeles, CA From there I have three options to pick and choose from depending on the kind of dirty sound . Do the same with the Volume control while adjusting the Gain to different settings. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. Timmy. Are you using one to drive the other? With even EQ spectrum, based on Bluesbreaker, etc. Thanks for sharing your experiences, I just got my copy of the RYRA Klone, excited to find the sweet spot! The overdrive is what I use 90% of the time, with my boosting being handled by an RC Booster. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. 144,000 . The Klon will be always on so technically Katana is my only clean boost that'll be there to push the OD more. Your email, has been entered to win this giveaway. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. You are using an out of date browser. If you want to see the reason this is cool, turn the drive knob up. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. Exclusive deals, delivered straight to your inbox. and our CSP027 TIMMY OVER DRIVE. OCD stacking | Fender Stratocaster Guitar Forum You are using an out of date browser. Are the highs the same? The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Maybe you will. The key to a perfect drive stack is to pay attention to your EQ. I run a Hardwire CM2 or a SD1 into it, depending on what I feel like that day. This website uses cookies to improve your experience. I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. Now, here's the trick. Youve got to keep the modulation and the effect level of this kind of low. Sep 2, 2016. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should.. As you can see, just a few pedals can cover a ton of ground. 1995-2022 Harmony Central, Inc. All rights reserved. Depending on your pedals and settings, your experiments may have met with mixed results, but the basic idea is solid; use one gain pedal to boost or color the sound of another. Basically, I hit a note and then it bounces back slowly. For rocking out your overdrive and distortion with the same pedal, you can always go back to the old classic: Jekyll and Hyde. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. They're made for each other, like peanut butter and jelly, or grilled cheese and strawberry jam**. I get asked about it a bunch but I plead the fifth. There is a clear top-end chime and warmth in the midrange. Does anyone stack their klone (I'm looking into the ARC EFFECTS one) into a timmy? Stacking Overdrive Pedals | Reverb Pedal Tricks - YouTube As for those that have a contrary opinionI can't do anything about your tin ears, which is what you would have to have to make the claim that these pedals sound nothing alike. You can turn the middle Nam to the middle and is a total fender big muff - This topic is now archived and is closed to further replies. I vote used dod 250. But, that's just me.. "more sense in general" and guitar forums is an oxymoron, It might make sense to have the Klon closer to the guitar to take advantage of its buffer. Some of the add-ons on this site are powered by. Beautiful. Pedals/Effects Anyone use a Nobels ODR-1? - Blues Guitar Unleashed Does the character of the pedal change? This is a really good go-to combo. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. I use it as a catch-all for a lot of different effects, but it has settings and algorithms in it that let you kind of stack multiple delays, so its really useful. A boost will also typically color the tone less than an overdrive, IME. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. I even made a double boost/overdrive pedal, the Kirkland Signature Boost, which John Mayer has had on his pedalboard forever. and don't attack me asshole, I'm asking about what I've been told. EUR A warm or a mid-heavy overdrive can often tame an overly raw and spitty fuzz. The trick with this setup is to keep the output of the Power Boost set modestly, to avoid excess saturation, and play through a big, clean amp with lots of headroom. Both of my boards have four OD pedals with a Timmy being the first in the chain. 62'RI Strat, ES335. Oops, looks like you forgot something. i tried stacking overdrives but i didnt like it too much. While the concept is simple, the details make all the difference. Whew! So, Big Muff into a Tube Screamer. If you want to add another tone to your board, look for pedals that will complement the tones you already have. Quarter Note + Dotted Eighth = Rhythmic Dual Delay. I was shooting for two pedals on a piece of 3/4 ply. Try adding gain with only one pedal at a time and dont be afraid to defy conventional arrangements by switching your pedal order around. Then theres The Pearl by T1M and The Browne Amplification Protein, which has a Bluesbreaker-style circuit (similar to the Morning Glory) into a Nobles-style circuit, which is a type of Screamer Klon. Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. So, just like the amp, the reverb is before the tremolo. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. Might be interested in a bass guitar trade I just Down sized my bass rig so this is up for grabs . If you try this, you'll be really, really surprised. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. Some pedals are great at specific jobs. Clavey paddle sports petaluma blvd s petaluma ca. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. It really pushes other drive pedals nicely - I'm using the Timmy to push a Catlinbread DLS [ set in Supe Bassman Mode ]. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. Also, I explained how to sync two delays earlier, but there are a lot of pedals out there that have that multiple delay settings built in, like the DD-500 from BOSS. Yeah I like to run all my other drives into my Timmy, so thats probably how I would use it. 98499 Hours: Week Days 11:00am to 6:00pm Week Ends Noon to 5:00pm Other times available by appointment call 360-701-8795 Privacy Policy. Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. 59 . The DOD boost is used by itself for a clean solo sound. For what you're doing, stacking a boost ahead of your Klon-type might be all you need. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. You take the octave pedal, and you put it before a big fuzz pedal. Last edited: May 24, 2021. 874-927seven USA Eddie Van Halen wolfgang Guitar In excellent condition. On my main board I actually stack the Timmy with a Soul Food and a Plimsoul for a really nifty rockin' type of tone where I can roll back my volume knob for different levels of OD. Transparent drives are great for adding gain or boost to a sound you dont want to alter, like a second channel or gain stage. The TIM I had could get some of the sounds A/B'd direclty with a klon and vice versa (gritty boost, fat clean boost) BUT they are different in too many aspects to really be comparable. Stack the Tonebender and the Supro-y overdrive to cop Jimmy Pages tones. It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. 7 Types Of Overdrive Pedal For Killer Blues Tones Some of the add-ons on this site are powered by. I actually tried my OCD with a Voodoo Lab Sparkle Drive Mod, which has 4 gain stages and is more versatile. Your purchases help youth music programs get the gear they need to make music. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. one is all i need. I've tried stacking overdrives, but they kept falling over, so now I just place them side by side. OD pedal to pair with Timmy | Z-Talk - ProBoards I stack OD's all the time. If that makes zero sense (which is reasonable), feel free to watch my JHS Show episode on this topic to listen to this demo around minute 14.
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